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This year's peak will deliver dozens of shooting stars an hour—followed by a close flyby of the strange asteroid that created the sky show.
A bright shooting star streaks across the heavens during an annual Geminid meteor shower.




With near-perfect conditions in the offing, sky-watchers should get ready for an early holiday treat. The Geminid meteor shower is upon us, and it promises to be one of the best shooting star shows of the year.


The annual shower will peak tonight and into the early morning of December 14, when viewers can expect to see dozens of meteors an hour. And in just a few days, viewers with backyard telescopes will get an extra gift: a rare glimpse of the asteroid that created the shower zipping across the sky.
Geminid meteors appear to radiate from the constellation Gemini, the twins.





Meteor showers happen when Earth plows through a cloud of debris left behind by a passing space rock. The vast majority of meteors are no bigger than grains of sand, and they burn up when they slam into the planet’s upper atmosphere, creating brilliant streaks of light.

Last year’s Geminid show peaked around the same time as a supermoon, and the intense glare from this larger-than-average full moon made it difficult to see fainter meteors. But this year, the overnight hours during the shower’s peak will be dark and almost moonless—the waning crescent moon won’t rise until 4:30 a.m. local time on December 14.
The asteroid 3200 Phaethon will be a fairly easy target for sky-watchers with small telescopes on December 16.


The Geminids are fun to watch because the meteors travel at slower speeds than most other annual showers, which means the streaks last longer. Moving through our atmosphere at around 20 miles a second, these meteors produce beautiful long arcs that are visible for at least a second or two.




The Geminids get their name from the Gemini constellation, because the meteors appear to radiate from that part of the sky. The best time to begin watching is when the constellation rises above the eastern horizon, which will occur after 9 p.m. local time.

Gemini will rise highest in the sky for viewers in the Northern Hemisphere, which means people in North America will see the shower really kick into gear in the darkest part of the night. Star-gazers in northern mid-latitude regions with pristine skies away from city lights can expect to see up to 120 meteors an hour. Observers stuck in light-polluted city suburbs can expect more modest numbers ranging from 20 to 60 meteors an hour.
During its elongated orbit, 3200 Phaethon comes closer to the sun than any other known asteroid.


For sky-watchers in the Southern Hemisphere, the show will be slightly less impressive, as Gemini never rises high above the local horizon. People in southern regions will still get splendid views, just with fewer meteors an hour.


METEOR MAKER

Most of the annual meteor showers we see were created by passing comets, which shed dust as they get close to the sun and their ices vaporize. The Geminids are a bit different, because their debris comes from 3200 Phaethon, an odd object that astronomers have dubbed a “rock comet.” When this type of asteroid passes close to the sun, heat causes it to fracture and cough out rocky particles.


Measuring about three miles across, 3200 Phaethon’s orbit takes it closer to the sun than any other known asteroid. And on December 16, the object will make an historically close flyby of Earth, coming within 6.4 million miles of the planet. It hasn’t gotten this close to us since 1974, and it won’t come so near again until 2093.


Luckily, there’s very little chance of an impact. While the asteroid does regularly cross Earth’s orbital path, astronomers predict that it won’t come close enough to pose a threat for at least the next thousand years.




Instead, 3200 Phaethon will be a fairly easy target for sky-watchers with small telescopes. The asteroid will make its closest approach at 6 p.m. ET on the 16th, appearing as a bright ball of light streaking along at a relatively fast clip. Check out Sky and Telescope’s website for detailed charts of the asteroid’s path in the heavens.


If you miss the peak dates, there should be plenty of meteors falling a few days before and after the main event. And if clouds get in the way, you can watch online thanks to the Virtual Telescope Project, which will have live webcasts from Italy and Arizona on December 13 and 14 for the Geminds and on December 15 and 16 for 3200 Phaethon.
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Clay Enos - © 2015 Warner Bros. Entertainment Inc. and Ratpac-Dune Entertainment LLC
CLAY ENOS - © 2015 WARNER BROS. ENTERTAINMENT INC. AND RATPAC-DUNE ENTERTAINMENT LLC




From Beauty and the Beast to Baby Driver, 2017 was a big year for movies. And going by Google’s 2017 Year In Search lists, film lovers were hungry for as much information as they could find on killer clowns, superheroes, wonder women, and baby drivers. Here are 30 things you might not have known about the most Googled movies of 2017.


1. FOR DIRECTOR PATTY JENKINS, WONDER WOMAN WAS A DREAM PROJECT.

Director Patty Jenkins has long wanted to make a big-screen version of Wonder Woman. Following the success of her Oscar-winning feature directorial debut, Monster (2003), Jenkins was clear about what she wanted her next project to be: “I want to make Wonder Woman,” she told anyone who asked. “Everybody knew I wanted to make a superhero movie.”
In 2005, she was presented with a script for Wonder Woman and the opportunity to direct, but Jenkins was pregnant with her son at the time and couldn’t fathom leaving a newborn at home to go off to make a movie—even if it was her dream project. “When I’m on a movie, I’m unavailable, everyday for a year and a half,” Jenkins told Entertainment Weekly. “You can’t do that with a little baby. Somebody might be able to do it, but not me.” Fortunately, though it was in development, the project never got off the ground, and it eventually landed back in Jenkins’s lap. “Part of the reason I’m in such a good mood is this is the movie I’ve wanted to make my entire life,” said. “I feel so grateful that I get to be able to do this.”


2. FILMMAKERS HAD TO GET CREATIVE TO HIDE GAL GADOT’S PREGNANCY.


Speaking of pregnancy and superheroes: In November 2016, Gal Gadot had to slip back into her Wonder Woman suit in order to film some reshoots for the movie. There was just one hitch: She was five months pregnant. In order to hide her pregnancy from the cameras, and make sure the new footage matched the original footage, the production team had to get creative. Essentially, they covered her stomach with a piece of bright green cloth that they could use to digitally alter her appearance in post-production. “On close-up I looked very much like Wonder Woman,” Gadot told Entertainment Weekly. “On wide shots I looked very funny, like Wonder Woman pregnant with Kermit the Frog.”



3. IT BROKE ALL SORTS OF HORROR BOX OFFICE RECORDS.

Bill Skarsgård stars as Pennywise in It (2017)
BROOKE PALMER - © 2016 WARNER BROS. ENTERTAINMENT INC.




Andy Muschietti’s big-screen adaptation of Stephen King’s It was undoubtedly one of the summer’s most anticipated movies, and the box office numbers proved it. In addition to posting the biggest opening weekend of any horror movie in history (it raked in $123,403,419), it also ousted The Sixth Sense from the top spot as the highest grossing horror/supernatural movie of all time.

4. BILL SKARSGÅRD SCARED THE HELL OUT OF HIS YOUNG CO-STARS.

In order to up the fear factor in the scenes between Bill Skarsgård, who played Pennywise, and the kid members of The Losers Club in It, director Andy Muschetti kept Skarsgård away from his young co-stars until it was time to film. As such, “Pennywise was this looming force they knew was coming but hadn’t seen yet,” Skarsgård told The New York Times. “That built an excitement in the kids you could feel when they saw him for the first time. They were probably a bit scared.”

5. BEAUTY AND THE BEAST AND LA LA LAND COULD HAVE BEEN VERY DIFFERENT MOVIES.

La La Land and Beauty and the Beast were two of the most highly anticipated movies in recent years, but they both could have looked a lot different. Emma Watson was offered the role of Mia in La La Land (the same part that earned Emma Stone her first Oscar), but ultimately passed in order to make Beauty and the Beast. “I knew I had horse training, I knew I had dancing, I knew I had three months of singing ahead of me, and I knew I had to be in London to really do that,” Watson said. “And [Beauty and the Beast] wasn’t a movie I could just kind of parachute into. I knew I had to do the work, and I had to be where I had to be. So scheduling conflict-wise, it just didn’t work out.”

At the same time, La La Land’s Ryan Gosling passed on playing the Beast so that he could make La La Land. (And everyone lived happily ever after.)


6. DAN STEVENS SPENT THE BULK OF BEAUTY AND THE BEAST WEARING STILTS.





In order to help Dan Stevens cut an appropriately menacing figure as The Beast, he spent most of the movie walking around on stilts. “I was in a muscle suit on stilts covered in grey Lycra with dots on my face,” Stevens told Metro. “And every couple of weeks I would go into a booth—a kind of cage—they’d spray my face with UV paint, and 27 little cameras with UV light would capture what I was doing with my face in those scenes. And Emma would very graciously sit on the other side of this weird cage and we’d play all of the scenes whether they were arguing scenes, or waltzing scenes, and we’d gaze longingly at each other, just everything I could do with my face I did in that cage.”



7. JAMAL WOOLARD HAD SOME EXPERIENCE PLAYING CHRISTOPHER “BIGGIE SMALLS” WALLACE.


Playing The Notorious B.I.G. wasn’t a big stretch for Jamal Woolard in All Eyez on Me, Benny Boom’s Tupac Shakur biopic. Woolard made his big-screen debut starring as Biggie in 2009’s Notorious.



8. BABY DRIVER’S OPENING CAR CHASE WAS SHOT ON ONE OF ATLANTA’S BUSIEST HIGHWAYS.


The opening scene of Edgar Wright’s Baby Driver is a stellar piece of vehicular choreography, but it was no easy task to create. “The first chase is on the I-85, which is the main freeway in Atlanta, and you cannot shut down the I-85,” director Edgar Wright told Inverse. “That’s impossible, but what you can do is have a police motorcade, which is miles wide.” Because they couldn’t shut the road—which sees about 200,000 motorists per day—down, they had to plan their shot, and timing, very, very carefully.

“We were given a Sunday that didn’t have any ball games, and they said, ‘we’ve got 6 a.m. until 2 p.m. and then that’s it’—2 p.m. was a hard kick-off,’” Wright explained. “We had police cars on all lanes of the freeway, 50 stunts cars, actors and the camera cars, all in the middle of what is called The Bubble. This big flotilla of cars is going down the freeway at 70 miles an hour shooting, and sometimes the actors are in the car as well, and it’s insane.”

9. EDGAR WRIGHT HAD TO PERFORM A SCENE OVER THE PHONE TO GET MIKE MYERS’S PERMISSION TO USE THOSE AUSTIN POWERS MASKS.

In a comedic moment of miscommunication, Baby Driver’s gang of bank robbers pull off a job wearing Austin Powers masks when the original instruction to get Michael Myers (as in Halloween’s blank-faced serial killer) causes some confusion. According to the movie’s Blu-ray commentary, in order to receive permission to use those shagadelic disguises, Wright had to ask Mike Myers’s permission directly. He agreed, but asked Wright to perform the scene for him over the phone.

10. THE BIG SICK LANDED A SWEET DISTRIBUTION DEAL AT SUNDANCE.


Zoe Kazan and Kumail Nanjiani in The Big Sick (2017)




After making its premiere at the Sundance Film Festival, Michael Showalter’s The Big Sick—based on a script by (and the real-life relationship of) Kumail Nanjiani and Emily V. Gordon—became the subject of a major bidding war. Netflix was hot to buy the rights, but Nanjiani wanted the film to have a theatrical release. Eventually, they sold the film to Amazon for $12 million, one of the biggest deals ever brokered at the Park City fest.

11. CHRISTOPHER NOLAN ORIGINALLY PLANNED TO MAKE DUNKIRK AN EXPERIMENT IN IMPROVISATION.

Director Christopher Nolan first conceived of shooting Dunkirk without a script, and just improvising the dialogue as they went along. His wife, Emma Thomas, advised him against this approach. “Emma looked at me like I was a bit crazy and was like, ‘okay, that’s not really gonna work,’” Nolan said. Fortunately, Nolan listened.

12. THE DARK TOWER SPENT A LONG TIME IN DEVELOPMENT.




The Dark Tower, Nikolaj Arcel’s adaptation of Stephen King’s The Dark Tower series of books, took several years to come together. Both J.J. Abrams and Ron Howard were attached to direct the film at different points during its development.

13. DAVID BOWIE WAS DENIS VILLENEUVE'S FIRST CHOICE FOR THE PART OF NIANDER WALLACE IN BLADE RUNNER 2049.

From the earliest days of his involvement in Blade Runner 2049, director Denis Villeneuve had his eye on David Bowie for the role of Niander Wallace. Unfortunately, the iconic rocker passed away before production began. The part eventually went to Jared Leto.

14. VILLENEUVE KNEW HE HAD BIG SHOES TO FILL, AND HE WAS OK WITH THAT.









The fact that he was rebooting one of the most iconic and inventive sci-fi films of all time was certainly not lost on Blade Runner 2049 director Denis Villeneuve. "I know that every single fan will walk into the theater with a baseball bat,” he said. “I'm aware of that and I respect that, and it's okay with me because it's art. Art is risk, and I have to take risks. It's gonna be the biggest risk of my life but I'm okay with that. For me it's very exciting ... It's just so inspiring, I'm so inspired. I've been dreaming to do sci-fi since I was 10 years old, and I said 'no' to a lot of sequels. I couldn't say 'no' to Blade Runner 2049. I love it too much, so I said, 'Alright, I will do it and give everything I have to make it great.'"


15. CRITIC ARMOND WHITE RUINED GET OUT’S PERFECT ROTTEN TOMATOES SCORE.

National Review film critic Armond White has developed somewhat of a reputation for his dissenting opinions. This is the man, after all, who gave a poor review to Toy Story 3, writing that: “Toy Story 3 is so besotted with brand names and product-placement that it stops being about the innocent pleasures of imagination—the usefulness of toys—and strictly celebrates consumerism.” So it was hardly surprising when he became the first critic to give a bad review to Jordan Peele’s Get Out, thus knocking its 100 percent fresh rate down to 99 percent. White’s problem with the film, which he called a “horror-comedy for Black History Month”? “In Get Out, just as Obama did, Peele exploits racial discomfort, irresponsibly playing racial grief and racist relief off against each other, subjecting imagination and identification to political sway,” White wrote.


16. A SINGLE CRITIC KILLED LADY BIRD'S PERFECT SCORE, TOO.

Saoirse Ronan in Lady Bird (2017)

Like Get Out, Greta Gerwig's Lady Bird held a 100 percent score on Rotten Tomatoes ... until critic Cole Smithey ruined it all, knocking the film from its perch as the site's best reviewed movie. Following an internet backlash, Smithey took to Twitter to explain himself:





Context is everything. I had to consider whether to cast “Lady Bird” as Fresh or Rotten in the context of a perfect score that people were using to trumpet “Lady Bird” as the all-time best reviewed movie on RT. A "B-" does not an "A+" make. @RottenTomatoes @LadyBirdMovie pic.twitter.com/fR7PJ5GfZD

— Cole Smithey (@colesmithey) December 13, 2017

17. THOR: RAGNAROK HAS A CONNECTION TO DEVO.

The music for Thor: Ragnarok was composed by Mark Mothersbaugh, who is the lead singer and keyboardist for Devo. Not only did he integrate musical pieces from earlier Marvel films into the movie, but he included the famous “Lonely Man” theme from the ‘70s Incredible Hulk TV show.


18. THE ROOM’S TOMMY WISEAU APPROVES OF "99.9 PERCENT" OF THE DISASTER ARTIST.


James Franco in The Disaster Artist (2017)

James Franco’s A-list retelling of indie filmmaker Tommy Wiseau’s so-bad-it’s-kind-of-good movie The Room has been getting lots of acclaim, including from the original film’s creator. When Franco asked Wiseau what he thought of the film after seeing it at SXSW. “I was like, ‘So, Tommy, what did you think of the movie?’ And he said, ‘I approve 99.9 percent,’” Franco told Entertainment Weekly. “And we were like, ‘What was the 0.1 percent?’ He said, ‘I think the lighting, in the beginning, a little off.’ [Laughs] I told Brandon [Trost, The Disaster Artist‘s cinematographer]. He was like, Yeah, maybe we should watch The Room, get some lighting pointers!”


19. JAMES GUNN HAD TO FIGHT TO KEEP ADAM WARLOCK’S POST-CREDIT CAMEO IN GUARDIANS OF THE GALAXY VOL. 2.

James Gunn had to fight to keep Adam Warlock’s post-credit cameo in the movie, despite the character not showing up in 2018’s Avengers: Infinity War. To get it cleared by Marvel, he promised the studio that he would confirm on Twitter that the character is not scheduled to appear in the third or fourth Avengers films, “Because I didn't want people to have false expectations of what they thought was going to happen with Adam.”


20. THE THREE MAIN FEMALE CHARACTERS IN HIDDEN FIGURES WORE VINTAGE UNDERGARMENTS, FOR AUTHENTICITY.


To add an extra layer of authenticity to the costumes in Hidden Figures, the three main actresses wore vintage undergarments, including corsets and girdles. “That snatches you into a perfect stature,” Taraji P. Henson said. “You have no choice. Women back then carried themselves not as loosely as the women do today because they were strapped down and pinned down.”


21. TREY EDWARD SHULTS WROTE IT COMES AT NIGHT JUST DAYS AFTER HIS FATHER’S DEATH.

In an interview with Den of Geek, Trey Edward Shults talked about how he wrote the script for It Comes at Night in just a couple of days following the death of his father, then revisited it a few years later to tweak it. “I would say that the final film is about 85 percent of what that first three days view was,” he said. “I’m not entirely sure, but it always really important to me, because it was stuff just coming out of me [at the time], stuff I didn’t fully understand even, that I went back and psychoanalyzed. But it was important for me to retain that, to convey the mood and tone and emotion of where I was at.”


22. JUSTICE LEAGUE COULD HAVE BEEN A GEORGE MILLER MOVIE.

In the mid-2000s, Mad Max: Fury Road director George Miller had been in production on a Justice League movie, getting so far as to have a completed script, costumes designed, and most of the main cast assembled. A writers strike and the ongoing work of Christopher Nolan’s Dark Knight trilogy delayed and eventually shut down the movie just weeks before it was set to film.






23. DENZEL WASHINGTON AND VIOLA DAVIS WERE KNOWN FOR THEIR ROLES IN FENCES LONG BEFORE THE MOVIE ARRIVED.

Denzel Washington and Viola Davis in Fences (2016)

Denzel Washington and Viola Davis starred in the 2010 Broadway revival of August Wilson’s Fences, and both won Tony Awards for their roles.


24. SABRETOOTH WAS SUPPOSED TO MAKE AN APPEARANCE IN LOGAN.

In one version of the script for Logan, longtime Wolverine foe Sabretooth was set to make an appearance during the casino scene, but his character was removed as the movie went through different drafts.


25. NAOMIE HARRIS HAD TO WORK FAST FOR MOONLIGHT.



Naomie Harris shot all of her scenes for Moonlight in just three days, in the middle of an international publicity tour for Spectre. All that work paid off; she received an Oscar nomination for Best Supporting Actress.

26. THE MUMMY'S STUNTS LEFT SEVERAL CREW MEMBERS SICK TO THEIR STOMACHS.

The Mummy's zero gravity plane crash stunt was shot in actual weightless conditions and took 64 takes, leaving many of the crew sick to their stomachs as a result.


27. AUDIENCES SEEMED PRETTY EXCITED FOR THE POWER RANGERS MOVIE.

Executives at Lionsgate had reason to be excited about the potentially huge audience for Power Rangers. The film's teaser trailer generated more than 150 million views within 48 hours of first dropping in October 2016.

28. ALIEN: COVENANT’S NEOMORPH WAS MODELED AFTER THE GOBLIN SHARK.



Even if you don’t know much about the nightmare-inducing goblin shark, its name sort of says it all. The animal is able to extend its teeth forward when attacking its prey in order to allow for a better grip, and to do more damage. It’s this creepy sea dweller that inspired the look of the Neomorph in Ridley Scott’s Alien: Covenant. "Some of those nature videos are so stomach-churning that they don't pay me enough to watch them," writer John Logan said. “But Ridley will see something to do with insects swarming, for example, which eventually finds its way into a movie. Usually there's some sort of grotesqueness we find interesting.”

29. SPIDER-MAN: HOMECOMING’S TOM HOLLAND IS VERY, VERY YOUNG.

Want to feel old? New Spider-Man Tom Holland wasn’t even born when Michael Keaton, who plays the movie’s villain The Vulture, was Batman in the early 1990s.


30. KENNETH BRANAGH'S MUSTACHE WAS EXTREMELY IMPORTANT TO MURDER ON THE ORIENT EXPRESS.







Though Kenneth Branagh's remake of Agatha Christie's Murder on the Orient Express was met with mixed reviews, viewers and critics agreed that his mustache was spectacular. And it's a good thing—as getting that facial hair right was extremely important to Christie's family, who served as advisers on the film. "The first thing they asked in their creative meeting was, ‘What are you doing about the mustache?'" Branagh said. "There was no twinkle in the eye. I knew it was critical. This mustache is serious business."
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The hangul is endangered, and the only surviving sub-species of the red deer in Asia.

An adult hangul’s antlers can have up to 16 branches and weigh 4-6 kilos.

Handsome but shy and elusive, the Kashmir stag or hangul, lives in the Jammu and Kashmir Valley. Those who are lucky enough to see the athletic, copper-coloured male of the species will not forget its spectacular, multi-pronged antlers.

Antlers come in handy during rutting season, when stags defend territories for breeding and stave off competition to their harem. Antlers are cast off in mid-March and April, when the stags move uphill to congregate above the snowline for the summer. By September, the antlers have grown back to full size and the stags begin to roar and challenge each other. They descend the slopes to join the females, and the forests of Dachigam reverberate with their roaring calls until late November.

Sadly, the attractiveness of the state animal hasn’t protected it from a grim fate. The hangul is endangered, and the only surviving sub-species of the red deer in Asia. It is more commonly found in Europe and North America. Today, less than 200 of them survive, and their only viable population is in Kashmir’s Dachigam National Park.

About 1,500-2,000 lived around the state until 1947, but since then, “their numbers are dwindling due to loss of habitat,” says Aaliya Mir, education officer at the non-governmental organisation, Wildlife SOS. “The hangul needs grasslands to survive, most of which have been taken over by local shepherds to graze livestock. Diseases transmitted by sheep and cows, and inbreeding are other serious threats to the stag.” Mir has been working towards hangul conservation in Kashmir since 2007.

Where to See: Visit the lower sector of Dachigam National Park near Srinagar, in Jammu and Kashmir, between December and March to observe this graceful animal. The park gate in lower Dachigam is 22km/30min by road from Srinagar, which has the nearest airport and railway station. Travellers can drive to the park entrance, but will have to continue exploration on foot.
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After fleeing war and hardship at home, unaccompanied young refugees are stuck in Serbia, dreaming of a Europe that doesn't want them.
Their voices gave them away, a pair of Afghan refugee boys surviving in what they called the jungle, a strip of stunted forest along Serbia’s border with Croatia. The children, ages 12 and 16, had been living here for weeks, sleeping in a tent concealed by branches that arched overhead and met in the middle like a hug.

Their hideaway was adjacent to the path they hoped to walk, following the rust-colored rail lines that link Serbia, which isn’t an EU member, with Croatia, which is. They’d already attempted the crossing multiple times, only to be forcibly returned by Croatian border guards who sometimes beat them and stripped them of the one possession they needed most: their shoes.

Liaqat, 12, journeyed from Afghanistan alone, aided only by smugglers
In the distance near Croatia, a pair of red lights was flashing, as if reinforcing the message: Stop. Stay out. Europe doesn’t want you.

Saddam Emal, green-eyed, 12 years old, was undeterred. It was early spring, and he'd been traveling for seven months already, an almost 3,500-mile journey undertaken without family and aided by smugglers.

At an age when many children aren’t allowed to cross the street unaccompanied by an adult, Emal had trekked from his home in Afghanistan’s war-battered Nangarhar province through Pakistan, Iran, and Turkey, into the EU member state of Bulgaria, from where he and other refugees I met said they’d been violently expelled into Serbia.

Emal is one of about 300,000 refugee children who made similar journeys in 2015 and 2016—a five-fold increase over previous years. They joined an unprecedented global flow of people fleeing hardship or oppression. At least 170,000 of those minors have applied for asylum in Europe. Emal dreamed of getting to Germany. (Read more about how the refugee crisis is reshaping Europe.)

A 16-year-old sleeps in an abandoned car in Belgrade. Border clampdowns since March 2016 and the tightening of the so-called Balkan route into the EU have stranded thousands of refugees in Serbia.

In the spring, men and boys moved day-to-day activities such as praying out of the warehouses where they stayed throughout the winter

An Afghan boy uses blankets to create a private space in a derelict warehouse in Belgrade where he and other refugees sheltered this past winter.

A 14-year-old Pakistani boy warms himself. “Most of them don’t want to be here—they feel stuck,” says UNICEF Serbia’s Michel Saint-Lot of the thousands of unaccompanied minors stranded in Serbia.

A boy cooks rice. He is one of at least 300,000 refugee children globally who made similar fateful journeys without adults in 2015 and 2016.

On their perilous journeys, youngsters like this group from Afghanistan risk falling prey to thieves, smugglers, and sexual predators

But for now, like thousands of other refugees, he was stuck in Serbia, stranded by border clampdowns since March 2016 and the tightening of the route through the various Balkan states into the EU.

According to Michel Saint-Lot, Serbia’s representative with UNICEF, 46 percent of the 7,000 or so refugees in Serbia are children. Most are from Afghanistan, and one in three is unaccompanied by an adult. Children like Emal who risk continuing their journeys, Saint-Lot says, are prey to thieves, sexual predators, and smugglers.

“I tell them, ‘Isn’t it better here than where you were?’” They agree, he says, but they want to go to the EU, not stay in Serbia. He’s concerned about reports that minors sneaking into EU countries have been detained, beaten, or forcefully returned in violation of ratifed conventions. According to Saint-Lot, most children don’t want to be in Serbia, and some are “breaking down emotionally because they don’t know what’s next. They don’t see any future.”

Boys gather in an abandoned warehouse in Belgrade. It was later demolished to make way for a new property development, and they were moved to government-run shelters. 

Emal had tried, and failed, 18 times to play what the young refugees call the game—a dash across the heavily guarded borders of Serbia’s neighboring EU countries of Hungary or Croatia to what they hope will be a better life. He was determined to press ahead—as soon as he could afford another pair of shoes. “Size 42,” he said, pointing to the dirty gray socks on his feet.

The dim last light of day pierced the leafy canopy sheltering Emal and his 16-year-old friend, Faisal Saleem, as they prepared dinner. Emal had used a one-time voucher for 3,000 Serbian dinars (about $27), gifted by NGOs and distributed at a Serbian refugee center, to buy supplies. He’d spent two-thirds of it on items in plastic bags around him: a few pieces of chicken, cooking oil, vegetables, three loaves of bread.

“I’m very tired; it’s very hard,” he said as he placed the raw chicken in a blackened pot on an open fire. “Beaten in Bulgaria, beaten in Iran, stuck in Serbia. In three weeks I’ve washed myself once. At home I showered every day.”

A 14-year-old boy from Afghanistan takes a wash on a frigid day in Belgrade. Few if any lone refugees are girls, according to UNICEF. 

Cooking and fending for themselves, navigating an underworld of migration, survivors of war and conflict, these children are carrying the hopes of their families on shoulders that should be burdened with little more than a schoolbag. Although Serbia hosts 18 government-run facilities that provide food and accommodation for refugees, Emal and his friend preferred to be as close to the border as possible—to keep trying their luck at the game.

The boys were aware of dangers lurking. They spoke of friends stabbed and robbed by Serbians, of a 16-year-old Pakistani recently killed trying to get out of the way of an oncoming train, of days they went hungry. “On this day God has given us food,” Emal said. “On another day…”

Emal browned the chicken through tear-inducing smoke, then added liquid and sweet peppers. The eldest son in his family, he hadn’t spoken to his widowed mother since his phone was stolen three months earlier. His friend Saleem had offered him the use of his phone, but Emal couldn’t remember his number in Afghanistan. He smiled wistfully. “I pray for my mother. I miss her,” he said. “She used to make good chicken.”
A lonely, desperate odyssey: UNICEF’s Saint-Lot says that some refugee children are “breaking down emotionally because they don’t know what’s next. They don’t see any future.” 

BECOMING A MAN ALONE

In a patch of green in central Belgrade that refugees and aid workers call Afghan park, 15-year-old Inamullah Mohammed sat on a bench near other refugees, hoping to gather tips about how to get into the EU.

“I come here two or three times a week because if I don’t ask about the game, how will I go?” he said. “I just can't stay.”
When Inamullah Mohammed, 15, left home in Afghanistan he didn’t have facial hair. He fled, he said, because “the Taliban wants me to join them." 

Like Emal, Mohammed was from Afghanistan’s Nangarhar province. He too was an eldest son. He had left home 18 months ago because, he said, "the Taliban wants me to join them," and although he’d spent half that time in Serbia, he still considered it an inconvenient temporary stop.

Mohammed was now living in a government-run refugee center, but he’d spent a brutal winter in an abandoned warehouse adjacent to Belgrade’s central railway station, a short walk from Afghan park. He had squatted there with other boys and men in a filthy space with no heat or sanitation or electricity.

The warehouse was demolished in May, rendered rubble like the war zones the children had fled. In its place a shiny new property development was expected to rise, but for now the detritus of the refugee trail lay in and around its ruins: grey blankets, toothbrushes, empty tuna cans, and pleas spray-painted in English on the walls of nearby disused train platforms. “Help me—open the borders” read one. On another wall: “I’m a person too.”

Boys play with a basketball and look at their phones inside the Obrenovac refugee center, formerly used as military barracks.

Mohammadullah Afridi, 10, (center) eats alone among other refugees in a center in Obrenovac, Serbia. He doesn't know what has become of his parents in Afghanistan. An uncle told him the Taliban blew up his home.

A group of refugees from Afghanistan, including children, head out to play what they call the game—a dash across the heavily guarded borders of Serbia’s neighboring EU countries of Hungary or Croatia to what they hope will be a better life.

It was there, in the warehouse, that Mohammed had learned to shave, a rite of passage without the guidance of a father or older male relative or even a friend. He hadn’t had facial hair when he left home, but now a wispy mustache had grown in. “I’m alone,” he said. “I haven’t found anyone I can share my feelings with.” His main communication was by phone with his smuggler, an Afghan he’d never met. (See photos of where refugee children sleep.)

Mohammed is the son of a farmer. He’d never been to school. His father sold land to finance the smuggler’s fee of $8,000 and was taking out loans to cover his son’s continuing expenses. The guilt of that financial burden weighed heavily on Mohammed. He wanted to earn back the money spent on him and repay his father, perhaps even buy back their land. At present, though, he was waiting on a wire transfer from home to buy a pair of shoes. Like Emal’s, his last pair had been confiscated at the border.
Saleem Khan, 12, from Afghanistan, rests on a bunk bed in the Adasevci refugee center near the Croatian border, one of 18 state-run facilities in Serbia that provide food and accommodation for refugees. 

As we talked, he shared the thoughts that had kept him awake at night on his 18-month journey. “Will I see my parents again? Will an animal eat me, or a car hit me, or someone shoot me or kill me? What will happen to my family? What will the Taliban do to them?” “I saw death many times,” he said. He’d been robbed of his watch and money and had been imprisoned in Bulgaria for seven months.

Only one thing he knew for sure—he didn’t want to stay in Serbia. “What should I do here?” he said, gesturing to the Serbians walking through the park. “These people are poorer than me. Afghans are richer than them.” (Serbia's GDP per capita is 10 times that of Afghanistan's, but to Mohammed, Serbia held no promise for a new life.)

Mohammed remains committed to getting to an EU country. “I’ve tried more than 27 times and have been deported from Slovenia four times. I want to be a good person. I want to learn something, to learn a skill. If the road doesn’t open, I’ll be compelled to go back to Afghanistan, and I’ll be forced to join the Taliban.”

A CHILD AGED BY EXPERIENCE

Delagha Qandagha, a shy eight-year-old, was walking around aimlessly, marking time, when I met him at the Adasevci refugee center. A converted motel (the sign on its façade still calls it that), Adasevci is the Serbian facility closest to the Croatian border, a short drive from Saddam Emal’s “jungle” hideaway. Families were crammed into its rooms, and single men and boys crowded into surrounding canvas-covered hangars jammed with bunk beds.

Old beyond his years, Delagha Qandagha, 8, has not told his parents in Afghanistan about his brutal journey to Europe: “They asked if I faced a hard time, but I said, ‘No.' I didn’t want them to worry.” 

A group of teenagers and an aid worker played volleyball outside. Men huddled around a Wi-Fi hotspot in what used to be the motel lobby as a little girl walked past sheepishly carrying a load of laundry in a plastic bucket. Like most refugee girls in Serbia, she was traveling with her family. UNICEF's Saint-Lot says there are few, if any, unaccompanied female minors, given the grave threat to girls of sexual and physical abuse and the strictures of the conservative patriarchal cultures of the South Asian and Middle Eastern states where most child refugees come from.

Qandagha walked back to the hangar that was his home. “There is nothing here,” he said. His gray t-shirt and the black scarf around his neck did little to shield him from the morning chill. Goosebumps rose on his scabies-infected skin.

He had left Nangarhar a year ago with a 10-year-old cousin and 15-year-old uncle. He had nothing of home except his memories of mortar fire, fighting, and Taliban thugs—but also of playing cricket with friends and taking meals with his parents and four younger siblings. “I remember happy days,” he said. “I am sad here.”
Asadullah, 11, (standing) prays in Sid before trying to sneak across the nearby border into Croatia. Guards turned him back. Undeterred, he still hopes to join a cousin in the U.K. 
He’d had no idea where Europe was before he and his young relatives embarked on their odyssey, traveling through Iran and Turkey into Bulgaria and finally Serbia. The farthest he’d been from home was to Pakistan with his father, who went there to sell blankets.

Qandagha hadn’t told his parents that he and his cousin and young uncle were beaten, detained, and robbed in Iran by “people like Taliban, carrying machine guns.” Nor had he told them that his 15-year-old uncle hid money in Qandagha’s underwear hoping that thieves wouldn’t search a small, delicate-looking boy. Or that he’d cried because he didn’t want his family to worry about him.

In Belgrade Qandagha had lived in the same dirty, dilapidated warehouse as Mohammed. They’d built fires to keep them warm, and “our faces would be black when we woke up in the morning.”


Unlike Saddam Emal, Qandagha didn’t want to play the game. “Roads are closed. No one crosses the border,” he said. He sometimes wished he could go back home. He didn’t know what to do next—he didn’t have a plan. “Nothing,” he said. “Now I can do nothing.”

Hamid, 16, cooks in an abandoned space in Sid. UNICEF’s Michel Saint-Lot says he hopes children like Hamid will apply for asylum in Serbia rather than risk continuing their dangerous journeys. 


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আমি ভিজলে আমিই ভিজি কিন্তু তুমি ভিজলে শহর ভিজে যায়।।



বিষাদ,– তোমাকে আমি লিওনার্দো কোহেনের গানে চিনি, আমি দেখি
শান্ত বাড়ি ফিরে যাওয়া মেয়েটির মুখ, একভিড় বাসের মধ্যে একা মুখে শতাব্দীর বেদনা
একটি শান্ত রাস্তা বেঁকে গেছে, মুখ নয়, মুখের ছায়ায় দেখছি ভারতবর্ষ
মৃত্যু নয়, জীবনের মধ্যে দেখছি সাবধানী চোখের সন্ত্রাসের কান্না
রাস্তার উপরে পড়ে থাকা একটি বাচ্চা, তাকে টপকে যাচ্ছে আশাবাদ
আগুনের উপর দিয়ে, চুনমাখা মুখে
ভবিষ্যতের দিকে লাফ মারছে আমাদের ধর্ম
ঘরের দেওয়ালে দেওয়ালে আলপনা, ছেঁড়া জামা, স্বাধীনতার বিষাদ
আমাদের শহুরে গাড়ির ভিতর দিয়ে আমরা
লালমাটির গন্ধের কাছে শুঁকে দেখছি:
হাসির সবুজ রং, নীল রং, আর বেগুনী দুঃখের ভারে নুয়ে থাকা শালুক ফুল
আকাশের দিকে সর্বস্ব দিয়ে জলের উপর অপেক্ষা করছে পদ্মপাতা
আমি শীতের বিকেলে গঙ্গার ঘাটের দিকে চলে যাই
কী এর রহস্য নিয়ে নেমে গেছে আশ্চর্য সিঁড়ি
জলের উপর নেমে গেছে আমাদের জীবন
আমরা ফিরে আসছি, ফিরে আসতে আসতে ভুলে যাচ্ছি সেই সব হাসি
সেই সব আশ্চর্য বাচ্চারা, — যারা আমাদের দিকে এগিয়ে দিয়েছিল
কয়েকশো, কয়েকলক্ষ বছরের দীর্ঘনিঃশ্বাস



আমরা ফিরে আসছি, ফিরে আসতে আসতে জড়িয়ে ধরছি আমাদের মৃত্যুভয়
চাকার ধুলোয় সর্বাঙ্গ ভরে গেছে আমাদের স্মৃতির
বিষাদ,– তোমাকে আমি লিওনার্দো কোহেনের গানে চিনি, — আমি জানি সুজান
আমি জানি তার সঙ্গে অন্ধের বিশ্বাস নিয়ে ছুটে যেতে হবে
জানি কোথাও শান্তি অপেক্ষা করে আছে আমাদের জন্য
আর ভুলে যাচ্ছি আমাদের কথা ছিল অন্যকিছু
রেললাইনের ওপারে আমাদের ঘর,- আমরা জলের উপর দিয়ে
হাঁটতে পারি না, আমরা নৌকা নিয়ে ভেসে পড়তে পারি না ।যীশুর কাছে
আমাদের একটি আঙুল আগুন, একটি বিষ, একটিতে অবিশ্বাস
আর আমাদের শহর, — আমাদের থমথমে টেবল, মেপে নেওয়া মুখ
কথার ভিতর দিয়ে কথার দিকে এগিয়ে দেওয়া ছুরি
ছুরির ভিতর অসংখ্য গলিপথ
মৃত্যুর ভিতরেও জমে থাকা আমাদের নগরকীর্তন
— শান্ত হচ্ছে না কোনওকিছুই, –নিভে যাচ্ছে না কোনও মোমবাতি
আমাদের বিশ্বাসগুলো ভাঙা বাল্বের মতো ছড়িয়ে পড়েছে
নার্সিংহোমের ভিতর ছোট ছোট বাচ্চাদের মুখ
হাসপাতালের ভিতর দিয়ে ছুট্টে ছুট্টে যাওয়া মৃতের স্ট্রেচারের পাশে
সন্ধ্যার আলোর ভিতরে জন্ম নিচ্ছে ছোট ছোট বাচ্চাদের মুখ
ছুরি কাঁচির উপর দিয়ে হাঁটতে হাঁটতে আমরা ক্রমশ ভালোবাসতে শিখছি
ওহ কোহেন ভালোবাসার শেষের দিকে আমাদের নাচ
কালু ডোমের ঘাট থেকে ভাসিয়ে দিয়েছি আমাদের প্রদীপ
পুড়তে থাকা চিতার গন্ধ নিয়ে সেই সব প্রদীপ
তোমার দিকে যাচ্ছে না সুজান
তোমার দিকে যাচ্ছে না পুরুলিয়া
আমাদের প্রার্থনা
নোনা সমুদ্রের কাছে আরও নোনা শব্দে শুনছি পাড় ভেঙে এগিয়ে আসছে
অচেনা নৌকো, যার আরোহীর মুখের রঙ শীত




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আদর করিসনি অনেকদিন হলো
আজকাল বৃষ্টি দেখতে দেখতে নোনতা জলে গা গরম
হয়।
সকালের পোড়া বাসি রুটি ,
রোজকার রোজগার।
বাড়তে থাকা জ্বরে থার্মোমিটার ডোবালেই
আমার চোখে পারদ বাড়তে থাকে।
ভাগ্যিস সংখ্যা ছিল ,ছিল শূন্য ম্যাথামেটিক্সের পাতায় পাতায়
প্রবলেম ছিল আছে থাকবে।
সল্ভড ও আসবে,
কিন্তু শূন্য বুকের বায়ুমন্ডলে জমতে থাকা নিকোটিন
অপ্রয়োজনীয় হবে না কখনো।
শূন্য শূন্য শূন্য রিং ছেড়ে উড়ে যাবে সুপার জেট মাঝ
আকাশে।
শব্দ হবে প্রচন্ড জোরে।
আরো জোরে মাথার ভিতর আগামী রাত
জানলার বাইরে খোলা আকাশ থাকবে।
কিন্তু সেই জেট তেপান্তরে ,হয়তো আরো দূরে
তোর সালোয়ারের নীল ওড়না উড়িয়ে যাবে।
আদর করিসনি অনেকদিন হলো
আজকাল বৃষ্টি দেখতে দেখতে জলের ফোঁটাগুলো
বন্য হয়ে যায়।
অফিস ফেরৎ বাসেদের জানলায় দাঁড়িয়ে থাকে চোখ
রোজ স্টপেজ আসে স্টপেজ যায়।
কিন্তু বুকের স্টপেজে বাড়তে থাকা স্যাকারিনে
বারংবার ফুল স্টপ ,ফুল স্টপ ,ফুল স্টপ।
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Perched on Tamil Nadu's southeastern tip, Dhanushkodi is from where Palk Strait begins. Sri Lanka's coastal settlement of Talaimannar is barely 29 kilometres away.
All that’s left of Dhanushkodi today are its skeletal remains, like the ruins of this church. 


Embarking on a road trip whose destination is the last strip of land along India’s southern coastline had been on my bucket list for years. After much procrastination, this March I finally hit the road to Dhanushkodi. Perched on the southeastern tip of Tamil Nadu’s Pamban Island, Dhanushkodi is the where Palk Strait begins. Sri Lanka’s coastal settlement of Talaimannar is barely 29 kilometres away. Apart from its proximity to a neighbouring country, Dhanuskodi’s history is the main reason I was keen to explore it; on a road trip nonetheless. Once a bustling town, it was uprooted overnight and reduced to ruins by a monstrous cyclone in 1964. Dhanushkodi has since been declared a “ghost town”. Only a clutch of fishermen call it home today and no tourist is allowed to enter the town after 6 p.m.


Local fishermen cast their net for the day’s fresh catch. 

Even before I left Mumbai I had
a vague idea how deserted Dhanushkodi would be—save for a few tourists, majority of whom are pilgrims drawn in by the belief that it was from here that Hanuman, on the behest of Ram, built a bridge to Lanka to free Sita from Ravana. But it wasn’t the mythology that had me sold. I was, in fact, eager to experience the calm after the chaos this tiny hamlet has now come to symbolise. So, with chocolate bars, packs of cookies and a crate of water stacked in the backseat, and my brother for company, I fired up my 4×4’s engine for the 1,580-kilometre drive. Three fully charged cell phones and two power banks were thrown in too, for navigation purposes and to record the vistas that would greet us and terrains that would challenge us.
The easiest route from Mumbai is via Bengaluru and then Salem on National Highway 48. After Salem, you’ll cross Tiruchirappalli and the heritage town of Karaikudi before reaching Rameswaram. Pamban Island, from where Dhanushkodi is 21 kilometres south, is in Rameswaram. You can also take the Madurai route and make a quick stop at the historic Meenakshi Amman Temple. In the 18-hour drive, you’ll whizz past lush green landscapes, gleaming rivers, and giant rock formations.


Ruins of an altar

To enter Pamban Island one needs to take the Pamban bridge. This two-kilometre-long railway bridge across the Indian Ocean is what connects Rameswaram to mainland India via parallel rail and road lines. What’s nerve-wrecking, though, is the drive leading up to the bridge. At one point it seems like the sea will swallow the road. When you inch closer to the railing is when you realise where you really are—surrounded by the Indian Ocean on all sides in a car that occasionally sways to the tune of the wind.
After 18 hours of non-stop driving, I finally pull into Rameswaram. Weary from the road, my brother and I decide to spend the night at the Tamil Nadu tourism board’s guesthouse.

Final Destination

To reach Dhanushkodi at the crack of dawn, I start at 4 a.m. the next day, clearing the 15-kilometre stretch to the checkpoint in 20 minutes. Dhanushkodi’s beach is another six kilometres from the checkpoint. These final six kilometres, also the last leg of my journey, challenge me to trail tracks carved out in sand; ones that keep eroding every time a giant wave grazes the shore. Thrilled by the temporariness of these tracks, I slow down to savour the moment, occasionally allowing gentler waves to rise and crash against my SUV.
After manoeuvring through Dhanushkodi’s tricky beach, both you and your vehicle will need some rest
Driving on the beach, flanked by the Indian Ocean on one side and the Bay of Bengal on the other, I make a quick detour to a village where the locals stay. A trip to a nondescript temple here and a chat with the priest led me to photographs of Dhanushkodi before the cyclone ravaged it. In these images, Dhanuskodi looks straight out of R.K. Narayan’s Malgudi Days. Upon resuming the drive, I finally come face-to-face with the skeletal remains of the structures whose photos the priest had just shown me: ruins of a church, school, post office, and even an abandoned railway track.
It’s only when I step out does it hit me: Dhanushkodi is not for people who travel to a place “to do” something, it’s for those who pine the exact opposite. It touches your soul, makes time stand still and, above all, leaves you feeling insignificant in the larger scheme of things. To soak in my surroundings then, my brother and I lie down on the beach. Once our siesta ends, we dust the sand off our clothes and head in the direction of some stalls selling seashell necklaces. We buy few pieces as souvenirs before settling inside a shack for a quick meal of Kerala parotta dunked in an oniony gravy that tastes like Maggi. This simple meal serves as the perfect closure to an extremely humbling road trip.


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Armed conflict, climate change, and natural disaster threaten some of humankind's grandest acheivements.

Some of the greatest acheivments of humankind have miraculously escaped the ravages of time, but they remain more susceptible than ever. Across the globe, armed conflict reduces cultural heritage sites to rubble, hurricanes and earthquakes alter the faces of cities, and the rising sea slowly creeps up coastlines.
This week the World Monuments Fund (WMF) announced the 2018 World Monuments Watch, which brings attention and resources to 25 imperiled cultural heritage sites that date from prehistory to the 20th century.
“By building an international coalition, the World Monuments Watch protects both the sites themselves and the shared history they embody,” said Joshua David, President and CEO of WMF in a press release. “Sites like the 25 on the 2018 Watch are where we come together as citizens of the world and renew our commitments to justice, culture, peace, and understanding.”

POST-INDEPENDENCE ARCHITECTURE OF DELHI, INDIA
Unlike many of India’s ancient sites, Delhi’s Post-Independence architecture is not legally protected by the government. Without these protections, argues the WMF, these buildings are at risk of damage.

BUFFALO CENTRAL TERMINAL, NEW YORK
Constructed in 1929, the Art Deco Buffalo Central Terminal streamlined the city’s transportation system in style. With the construction of the highway system beginning in the 1950s, however, train travel steadily declined and the station was closed by 1979. The building was later purchased by the Central Terminal Restoration Corporation, a volunteer-led group that is seeking to redevelop the site and revitalize the Buffalo community.

TEBAIDA LEONESA, EL BIERZO, SPAIN
Sometimes called the “Valley of Silence,” the Tebaida Leonesa is home to anchoritic and monastic settlements dating back to the 7th century, including well-preserved medieval churches. As the region’s youth continue to leave the area in pursuit of economic opportunity, the remaining residents are under pressure to maintain the sites amidst the demands increasing tourism and fewer human resources.

MATOBO HILLS CULTURAL LANDSCAPE, ZIMBABWE
In southern Zimbabwe, granite rock formations sweep across the landscape. Within the Matobo Hills, some of the earliest stages of human history are evidenced by more than 3,500 recorded rock art sites scattered among its caves, cliffs, and boulders—the highest concentration of rock art in all of Africa. Development and ever-dwindling natural resources threaten the landscape—deforestation and grazing expose the rock art to harsh sun and rain, human-caused fires raze the land, and graffiti defaces the ancient imagery.

SOUK OF ALEPPO, SYRIA
For centuries, Aleppo’s labyrinthine passageways and vaulted storefronts were bursting with vendors hawking sweets, carpets, spices, and Aleppo soap. In 2011, the outbreak of an ongoing civil war has not only resulted in the incomprehensible loss of life, suffering, and displacement, but disrupted the nation’s very social fabric. The souk—a hallmark of commerce as well as social exchange—went up in flames during a fight between Syrian government forces and insurgents in 2012. According to WMF, the rehabilitation of the souk is essential to post-conflict recovery efforts.

OLD CITY OF TA’IZZ, YEMEN
Known for its lavish palaces, mosques, and madrassas, Ta'izz was the capital of Yemen from 1229 to 1454. Three religious monuments from its golden age survived to present-day, but in recent years the city has been ravaged by an ongoing civil war that has killed more than ten thousand civilians and left millions in desperate need of humanitarian aid. In 2015, rebels seized control of Ta’izz’s citadel, which was then targeted by air strikes. In the past two years, shelling and fighting have damaged several historic buildings, including the Ta’izz National Museum and its manuscript collection, and a 16th-century mosque.

RAMAL TALCA-CONSTITUCIÓN, CHILE
The last remaining rural railway branch in Chile, the 55-mile Ramal Talca-Constitución connects the city of Talca to the port of Constitución. In January 2017, forest fires damaged several sections of the railway, profoundly affecting local residents.

GOVERNMENT HOUSE, ST. JOHN'S, ANTIGUA AND BARBUDA
The 17th-century historic Government House is the official residence and office of the Governor-General of Antigua and Barbuda. Crumbling sections of the property are in dire need of renovation after enduring years of drought, hurricanes, and earthquakes. A local initiative has been launched to restore the property, and use it to bolster community and educational activities.

AL-HADBA' MINARET, IRAQ
In June 2017, militants detonated explosives at the Great Mosque of al-Nuri and its famous leaning minaret. The mosque was constructed in 1172, and became one of the most iconic sites in Mosul’s Old City. The future of the site and possibility for post-conflict reconstruction remains uncertain.

JEWISH QUARTER OF ESSAOUIRA, MOROCCO
Established as a trading post between Africa and Europe in the mid 18th-century, Essaouira is known its long history of religious diversity and tolerance. After the creation of the State of Israel, most of the Jewish community living in Mellah, the Jewish Quarter, left Morocco. Many of its distinct Moorish and Art Deco buildings now lay abandoned and in disrepair.

ELIYAHU HANAVI SYNAGOGUE, EGYPT
Originally built in 1354, bombed by the French in 1798, and later rebuilt in 1850, the Eliyahu Hanavi Synagogue is one of the last vestiges of the Jewish community of Alexandria. In recent years the synagogue fell into disrepair and in 2017, the Egyptian government reportedly approved a $2.2 million plan to restore the structure.
GRAND THEATER, PRINCE KUNG'S MANSION, CHINA
Considered among the best-preserved imperial mansions in the Beijing, the 19th-century Prince Kung Mansion boasts large siheyuan-style courtyards and gardens. Its theater building needs repairs and restoration that will require both local and international expertise to maintain its original appearance.
TAKIYYAT OF AL-GULSHANI, EGYPT
Built by an influential shaykh in the 16th century, the Takiyyat of al-Gulshani is a Sufi religious foundation in Cairothat was established after the Ottoman conquest in 1517. The decaying complex houses a Mamluk-style mausoleum, mosque, kitchen, shops, and apartments—structures that are in need of repair after decades of earthquakes, looting, and neglect.


POTAGER DU ROI, FRANCE
The potager du Roi, or kitchen garden of the King, is located near the Palace of Versailles, and produced fresh vegetables and fruits for Louis XIV’s court. The grounds host more than 450 varieties of fruit trees and continue to produce 30 tons of fruit and 20 tons of vegetable today. According to WMF, an estimated 40 percent of the trees are in need of replacement.
LIFTA, JERUSALEM, ISRAEL
Lifta was a traditional Palestinian Arab village in Jerusalem that was inhabited from ancient times until the mid 20th-century. The ruins are now threatened by a redevelopment plan that seeks to replace the archaeological remains with housing and shopping complexes.
AMATRICE, ITALY
In August 2016, an early morning earthquake devastated a stretch of central Italy, including the town of Amatrice. Both the human toll and destruction of cultural heritage was staggering—nearly 300 people died, 400 were injured, and many historical buildings were destroyed.


KAGAWA PREFECTURAL GYMNASIUM, JAPAN
Built in 1964 by architect Kenzo Tange, the Brutalist-style Kagawa Prefectural Gymnasium hosted local sporting events in Takamatsu. After 50 years of operation, it closed its doors in 2014 and remains unused—it’s rehabilitation and preservation will depend on finding a new use for the building.


SUKUR CULTURAL LANDSCAPE, NIGERIA
Nestled in the Mandara Mountains between Nigeria and Cameroon, the Sukur homeland is known for its terrace agriculture and iron market. In 1999, the Sukur Cultural Landscape became Nigeria’s first UNESCO World Heritage site, however since 2013 the site has suffered attacks by Boko Haram, an Islamic sectarian movement in Nigeria. Militants raided the plateau, razing and looting homes and crops.
HISTORIC KARACHI, PAKISTAN
Since the partition of British India in 1947, Pakistan’s largest city has seen nearly a 50-fold population increase. As housing and infrastructure needs steadily rise and zoning regulations are relaxed, many of Karachi’s historic buildings are at risk of demolition, abandonment, and neglect.

CHAO PHRAYA RIVER, THAILAND
Flowing through Bangkok and into the Gulf of Thailand, the Chao Phraya River—also known as the River of Kings—is currently under threat from the proposed construction of an elevated promenade along the river. In addition to aesthetically altering the landscape, the project would displace riverfront communities and could cause unforeseen environmental impacts like increased flooding. Despite opposition from local communities and businesses, there are no plans to halt construction.
CERRO DE ORO, PERU
South of Lima, a sweeping network of adobe buildings and temples, burial mounds, and textiles dating back to 550 to 850 BCE marks the archaeological site of Cerro de Oro. Although it was designated a Monumental Archaeological Zone by the Peruvian Ministry of Culture in 2006, it has suffered the effects of looting, neglect, and illegal encroachment.
BLACKPOOL PIERS, UNITED KINGDOM
Located on the Irish Sea coast of England, Blackpool is considered the world's first seaside resort town for the working class and has been a popular summer destination for Britons for more than a century. Sea-level rise and increasing extreme weather events, a consequence of global climate change, now threaten the coastal community. Despite the recent construction of a new sea wall to protect the town from flooding, the piers remain vulnerable.
ALABAMA CIVIL RIGHTS SITES, UNITED STATES
Throughout Alabama, churches, meeting houses, and private residences tell the stories of the U.S. Civil Rights movement during the 1950s and 1960s. As the future funding of programs like the American Civil Rights Grant Program of the U.S. National Park remains uncertain and rapid urbanization encroaches, stakeholders must address increasing challenges in maintaining these historically significant sites.

SIRIUS BUILDING, AUSTRALIA
An example of Brutalist architecture, Sydney’s iconic Sirius Building was constructed in 1979 to house public tenants who were being displaced by gentrification. By 2015, much of the building was abandoned and few residents remained. Seizing the opportunity, a company announced plans to demolish the building and replace it with luxury apartments, sparking protest in the community. In July 2017 the Land and Environment Court blocked the demolition of the building, claiming the government should have granted it protection as a heritage site.

DISASTER SITES OF THE CARIBBEAN, THE GULF, AND MEXICO
After a series of natural disasters tore through the Caribbean, the Gulf, and Mexico in August and September 2017, the status of heritage sites throughout the region require identification, assessment, and response.























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